A Neutral Masterstroke or a Misstep? Pantone's Snowy Colour of the Year Faces Criticism.
For anyone who has spent years renting, confronted by the same standard-issue beige walls and yearning for adding some actual personality to their home, Pantone's new Colour of the Year might be perceived as a disappointing choice.
This time around, the influential color company has chosen white as its annual hue.
More specifically, the shade is called Cloud Dancer – a white characterized as "elevated" and "airy" which "serves as a emblem of tranquility in a society re-learning the worth of stillness".
It represents the initial instance a pure white has been chosen as the Colour of the Year, and it has raised more than a few eyebrows.
According to Pantone, Cloud Dancer "transcends mere pigment, it's a mindset" and reflects a collective urge to slow down, reset and achieve serenity after years of visual overload.
But some detractors have dubbed the decision as "Pantonedeaf", arguing that elevating minimalist and pristine white spaces can feel disconnected from the smaller, lived-in homes the majority call home.
Additional critics contend that framing white as an ideal introduces racial undertones, landing uncomfortably amid current political and cultural conversations about race and representation.
Soothing or Stark?
Interior expert One design critic says the criticism transcends surface appeal, arguing that white bears cultural undertones and is seldom a innocuous choice.
"White is a signal," he says, shaped by a ten-year period of minimalist celebrity interiors – most notably Kim Kardashian's stripped-back home – that came to epitomize "affluence, control and removal from chaos".
He explains that white is "not intended to inspire but being careful not to offend", with Cloud Dancer embodying "restraint, moral minimalism and the concept that impartiality equals goodness".
Beaumont points to the global health crisis as a turning point in how people interact with their homes.
"Suddenly they became our workspaces, sanctuaries and sources of stability," he says, noting that against this backdrop, pushing the Colour of the Year towards "more aesthetic barrenness seems rather out of step".
Rather than offering calm, he argues white now risks heightening "a feeling of desolation", especially when paired with cool, clinical lighting.
'Hospital Vibes'
An interior designer, a Surrey based design expert, agrees and says Cloud Dancer "is not perceived as a colour" and is "firmly in the bin for me".
Although it may work in highly minimal or architectural spaces, she says bright whites rarely foster calm in real homes.
"What looks serene in a professional photo can easily seem clinical at home," she explains.
"The color white may seem stark and unforgiving and you wouldn't wish your home to give a medical atmosphere."
She continues that "homes should elicit happiness and be warm and welcoming, and this hue seems quite distant from that."
Beaumont expresses a desire that homeowners will disregard the Pantone Colour of the Year in preference for "full-scale dopamine décor", using colour to express individuality.
A representative of the Pantone Colour Institute stated that people "have varied interpretations" to the significance of the colour, but it was selected as it "works seamlessly with everything around it, providing a refined neutrality that seems deliberate and adaptable".
Since its launch in 2000, Pantone's Colour of the Year has evolved into a significant trend indicator.
Previous selections have included the hopefulness of Living Coral, the calm confidence of Classic Blue, the vibrancy of Viva Magenta, and most recently softer, feeling-based tones like a soft peach.
These hues extend beyond trend forecasts - they show up in clothing lines, beauty launches, interiors, product wrapping and even consumer electronics, influencing how products are marketed and how consumers envision the year ahead.
A style and trend expert, says Cloud Dancer is a "elegant choice" and while it may appear basic, "this specific hue seems gentle and elegant rather than severe".
Contrary to those who say the colour is dull, Robinson sees it as "flexible" and says it's best used in "sleeping quarters and living areas where you want a serene, restful ambiance".
"Should you don't want to redecorate, you can incorporate the colour into a room with cushions, blankets and curtains."
Interior designer James Mellan-Matulewicz says although he was surprised that Pantone's selection this year was "fundamentally the absence of colour", it is a bit like a basic flavor, in that "it is universally accepted but it's nobody's favourite".
He can see its merits, noting that white can work particularly well as a background for architectural details like wall molding and curved entries which is a "growing trend in contemporary houses".
In fashion, white has long been a staple rather than a bold declaration and as a Colour of the Year it poses a unique test to designers more accustomed to bold shades.
Fashion consultant Oriona Robb says elevating white feels "not focused on newness and more about intention", reflecting a movement towards sophistication after years of trend overloads.
"White forces designers and wearers alike to concentrate on shape, proportion and craftsmanship, there's really no room for error," she explains.
But she continues that it also holds presumptions around body confidence, lifestyle and advantage, saying: "When white is treated as something only a narrow group of people can pull off, it becomes divisive."
She says the industry is already cognizant of the problematic connotations associated with celebrating white as an aspirational standard, especially amid continuing discussions about representation and approachability, and the real test will be whether "companies address that complexity authentically, or simply aestheticise the colour".
A Reflection of the Times
Style consultant Katie Malik admits the choice at first surprised her, considering Pantone's track record of bold colours, but says it reflects a authentic change and aligns with a wider mood of "quiet luxury